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Andrea Camilleri: GREAT CIRCUS AND OTHER STORIES TADDEI Vigata 
TADDEI GREAT CIRCUS AND OTHER STORIES Vigata-Andrea Camilleri: Eight stories, so perfect and done by each constitute a small novel. There are the characters of Vigata of all time, the inventory of Sicily by the many facets lawyers brilliant, impromptu fortune-tellers, farmers and students, priests, and federal, hardcore communists, resolute women, a repertoire that raises a smile or pity, and always a strong involvement. But in these stories is a fairy-tale elements, mythical, a sudden departure from the narrative returns insistent. It is an underground track that mixes with the historical moment that is always well defined, so that the first lines of each story, the narrative is set in a concrete date to the late nineteenth century, the dawn of 1900, but more often the years of Fascism, landing, after the war. Almost always, the irony, jokes to dominate, or gallismo brancatiano or solidarity that humanity never fails that Camilleri's stories in that "place of memory" that is Vigata, draws on true stories or true-filed fra i suoi ricordi, per reinventarle e raccontarle con la sua capacità affabulatoria, tutte spruzzate da una polvere di simpatia.
TADDEI GREAT CIRCUS AND OTHER STORIES Vigata-Andrea Camilleri: Eight stories, so perfect and done by each constitute a small novel. There are the characters of Vigata of all time, the inventory of Sicily by the many facets lawyers brilliant, impromptu fortune-tellers, farmers and students, priests, and federal, hardcore communists, resolute women, a repertoire that raises a smile or pity, and always a strong involvement. But in these stories is a fairy-tale elements, mythical, a sudden departure from the narrative returns insistent. It is an underground track that mixes with the historical moment that is always well defined, so that the first lines of each story, the narrative is set in a concrete date to the late nineteenth century, the dawn of 1900, but more often the years of Fascism, landing, after the war. Almost always, the irony, jokes to dominate, or gallismo brancatiano or solidarity that humanity never fails that Camilleri's stories in that "place of memory" that is Vigata, draws on true stories or true-filed fra i suoi ricordi, per reinventarle e raccontarle con la sua capacità affabulatoria, tutte spruzzate da una polvere di simpatia. 
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